I love short films and I saw a wonderful grouping (shorts 5) at the film festival. Love You More is one of my favorites.
Here's the Los Angeles Film Festival description for Love Your More (it's more of a play-by-play):
Georgia sits in a Geography class covering her exercise book with graffiti. Her classmate Peter watches her with longing. Georgia turns and catches him - but ignores his gaze. After school Peter goes to the local record shop to buy the new Buzzcocks single, 'Love You More'. It's the day of its release and he's desperate to own it. As he's flicking through the rack of 'New Releases' Georgia comes in. She's after the same record... But there's only one copy. And Peter's got it. Georgia quizzes him on Buzzcocks. She's quietly impressed that this seeming geek knows his stuff. But there's still only one copy. Georgia slips it into Peter's school bag and they hurry out. In the street she invites him to listen to the stolen record with her. He hesitates and admits he's supposed to be going straight home. Georgia laughs and leads him to her place - a flat above a pub. They go to her bedroom and listen to the song. It's loud and quick and it ends suddenly. Georgia throws herself at Peter and they devour each other; a frenzy of skin and limbs, the energy of the music propelling them into losing their virginities. Georgia walks Peter home. Peter wants to know if she'll continue to ignore him at school. Georgia says, 'Don't be poxy'. They kiss, tenderly. Peter watches Georgia depart. He's madly in love. Georgia walks away.
I love how this short focused on listening to a particular song on a record.
The writer also wrote Notes on a Scandal and the director is directing the upcoming John Lennon biopic.
Here's the trailer for Love You More:
I'd love to hear your comments and discoveries.
One of the first films I saw at the Festival was A Week Alone.
Here's how the Los Angeles Film Festival describes A Week Alone:
Presenting a world nearly devoid of adults, Celina
Murga’s beguiling feature allows the mercurial openness of its young
subjects to determine the mood and pace of the film. A group of teens
and pre-teens is left alone in their over-landscaped, gated housing
development while their parents are out of town. Although they still
attend school, the children spend most of their time swimming, drinking
too much chocolate milk, and breaking into empty houses. When a
housekeeper invites her less-privileged younger brother to visit for a
few days, Murga reveals the artificial environment to be less Edenic
than it first appeared.
Willfully obscuring needless details
(the parents’ absence and the children’s relations with each other are
only gradually and partially explained), the film focuses on
microscopic incidents that chart moments of social or sexual awakening.
Featuring uniformly superb performances from its first-time actors,
especially real-life sisters Magdalena and Eleonora Capobianco, who
provide the film’s emotional center—this is a coming-of-age story
devoid of sentimental triumphs or tragedies, but redolent with the
fleeting beauty of empty days free of consequence.
I found the film to be an interesting "fly on the wall" piece where I was witness to all things the kids did to entertain themselves. I give it three out of five swimming pools.
Here's the trailer for this Argentinean film:
What would you do if you had a week alone in a gated community where rules didn't exist? How would you use your time?
I'd love to hear your comments and discoveries.
I'm a sucker for French films...and this one gets 4 1/2 disco balls out of five.
Here's how the Los Angeles Film Festival describes Stella:
It’s 1977, and
11-year-old Stella Vlaminck is handed a lucky break when she’s randomly
assigned to a prestigious secondary school in an affluent area of
Paris. But the working-class Stella is more streetwise than booksmart,
and she is shunned by her new classmates who view her cheap clothes and
academic struggles with disdain. Meanwhile, her home life consists of
poker, pinball, pop music, and an odd menagerie of damaged adults. Her
parents run a rooming house and rowdy café frequented by ex-cons,
drunkards, and prostitutes, where she witnesses nightly barroom brawls
and the never-ending drama of her romantically-troubled parents.
Stella
seems destined to follow in the footsteps of her barmaid mother until
she befriends Gladys, the daughter of Argentine-Jewish intellectuals,
who exposes her to literature and a whole new world of possibilities.
Aided
by a superb cast, especially young Leora Barbara, who gives a low-key,
assured performance in the titular role, writer-director Sylvie
Verheyde’s semi-autobiographical film is a remarkable portrait of a
young girl’s intellectual awakening.
The little girl that plays Stella is years more mature and wiser than most children at her age. She's the main focus and gives a performance that's almost impossible to ignore.
One thing I appreciated about this film is how the viewer gets an insider look as to why Stella reacts to situations the way she does and how her outlook on life is a bit twisted compared to the average girl her age.
Here's the trailer - it's in French - yet you can get a feel for the film if you watch it:
How do your surroundings shape who you are? What's one insight you have about how your surroundings influence who you are?
I'd love to hear your comments and discoveries.
Probably one of the best films I've seen all year - Paper Heart delivers quirky heart-felt comedy that's sure to please.
Here's how the Los Angeles Film Festival describes Paper Heart:
Los Angeles-based comedian and performance artist
Charlyne Yi brings her winning and quirky “woman on the street”
approach to a subject that has plagued humans for centuries—the search
for true love. In this lovingly crafted hybrid of road trip documentary
and quasi-fictional romantic-comedy, our heroine and her friend and
intrepid director Nicholas Jasenovec criss-cross the country
interviewing experts and everyday folks about the meaning and nature of
love.
Yi employs her disarming persona to draw vulnerability, insight, and
humor from her subjects, who range from biologists to bikers, lifelong
couples to lovesick singles. Yi’s quest is underscored by her own
dawning romance with actor Michael Cera, which is amusingly staged-for
and interrupted by Jasenovec’s all-seeing camera. The couple’s awkward
courtship and a few lo-fi animated sequences of handmade paper puppets
lend some gentle humor and a generous, expansive spirit to Paper Heart’s weighty investigation.
Thankfully, Paper Heart will hit theaters on August 7th - so mark your calendars.
If you want an up-lifting and fun movie to watch this coming August, then Paper Heart is the movie for you.
Here's the trailer:
How does love show up in your everyday life? Where would you like to have love, but don't? How can you make that happen?
I'd love to hear your insights and comments.
"A true friend is someone who thinks that you are a good egg even though he knows that you are slightly cracked." Bernard Meltzer, radio host and personality
I probably don't need to tell you if I liked Michael Jackson when I was a kid. I can go one step further and show you.
Here's my Michael Jackson doll in his "Thriller" outfit.
And here's my Michael Jackson doll in his "Billie Jean" outfit.
I have two more outfits - "Beat It" and an awards outfit that looks a lot like St. Pepper. I also think I have the microphone...yet I didn't dig that out.
Each outfit came with its own set of socks, shoes and glove...of course.
In case you're wondering, the doll and its outfits were sold in the J.C. Penny catalog.
I wasn't allowed to have posters in my room - except for one behind my bedroom door - which was a photo of Michael Jackson in a yellow outfit with a sweater vest.
When I was in third grade, I created a Michael Jackson board game after he was burned while making the Pepsi commercial. Yeah, I was a popular kid (ha, ha).
I know a lot of people are sharing their memories today, yet I thought I'd show you some of mine.
I'd love to hear your comments and discoveries.
What a fascinating film subject. I am so happy I chose to see this documentary.
Here's how the Los Angeles Film Festival describes City of Borders:
After stabbing three participants of Jerusalem’s 2005
gay pride parade, the suspect told police, “I came to murder on behalf
of God.” This event underlines what’s at stake for the gay community in
this ancient city of borders. It’s an unlikely place for gay rights to
make any headway, but the sheer impossibility might make it the most
important place to wage this fight.
At the center of this
powerful film is Jerusalem’s sole gay bar, Shusan, where gay and
lesbian Jews and Palestinians drink and flirt with abandon. The freedom
of expression the bar offers is precious to its owner, the only gay man
on Jerusalem’s city council, and its patrons, including a lesbian
couple comprised of a Jew and a Palestinian, a gay couple building a
home together, and a Palestinian drag queen who risks dangerous
nighttime border crossings where armed guards pose a constant threat.
Gay-friendlier places like Tel Aviv and the U.S may beckon for some,
but others will stay, determined to win the war, even if it means
losing some of the battles.
Even though it might appear that the film is a heavy subject matter, I found this film to also be uplifting and delightful. It's a real insider's look into a world that many deem impossible.
The filmmaker said that City of Borders will hopefully air on PBS in the coming year as well as be available through NetFlix next year. If you visit the film's website City of Borders - you can find a schedule of upcoming screenings - possibly near you.
Here's the trailer:
I highly recommend City of Borders. I give it five out of five rainbows.
Where do you see "the impossible" in your life? What does "impossible" mean to you? Is anything in your life ever impossible?
I'd love to hear your comments and discoveries.
Wow, double wow - fantastic! What a treat it was to screen The Queen and I in Los Angeles.
Here's how the Los Angeles Film Festival describes the documentary:
Thirty years after the Iranian revolution, two exiles
from opposite sides of the divide face off on screen. The “Queen” of
the title is 70-year-old Empress Farah Diba, second wife of Shah Reza
Pahlavi, an icon with considerable charm. “I” refers to filmmaker Nahid
Persson Sarvestani, who, as a teenager, joined the Communist faction of
Khomeini supporters who deposed the shah. This fascinating encounter of
two women with clashing political visions serves as a primer for
problems that every documentary-maker contends with. How far do you let
your subjects impose their will on you? And to what extent do you
comply with the image people want to create of themselves?
Fearing
that Queen Farah will refuse further cooperation, Nahid finds herself
unable to ask truly confrontational questions about the shah's regime.
Frustrated by the layers of bureaucracy shielding her subject, annoyed
with her own timidity, and conflicted about her growing affection for a
woman whose husband she so vehemently opposed, Sarvestani Nahid
cleverly structures the picture to include the filmmaking process as
well as her own doubts and fears.
The filmmaker Nahid
Persson Sarvestani attended the screening along with Los Angeles' Iranian popultion. I not only enjoyed the documentary, I also enjoy the theater atmosphere.
Before the film, everyone stood for a moment of silent for what's currently happening in Iran. Very powerful.
The film is funny, serious, sad and thought-provoking. Please do yourself a favor and remember the title - The Queen and I - if it comes to a theater near you - be sure to take the time to see it. You'll be glad you did.
Five out of five stars.
The Queen and I trailer:
How does looking at your challenges from a different perspective support you? What gifts can you see in your current challenges?
I'd love to hear your comments and discoveries.
It's that time of year again and I'm here to report on the nine films I will see over the next week.
First stop: Dear Lemon Lima
Here's a quick description from the Los Angeles Film Festival site:
When 13-year-old Vanessa experiences her first breakup, she rebounds by following the boy to his stifling prep school, where she receives the only minority scholarship for her Yup’ik background. Landing at the bottom of the school’s social ladder and confined to the weight room during P.E., she begins to rally with the other school misfits, including an animal-loving boy with overbearing parents, a girl named Nothing, and a pathological liar claiming Puff Daddy is her father. Vanessa’s attempts to find herself and win back the love of her life flounder, until she’s presented with an opportunity to captain the oddball team for the school’s bastardized version of the World Eskimo Indian Olympics—the Snowstorm Survivor competition.
It would be an understatement to say this movie is campy. The film is reminiscent of that stuck in another time of Napoleon Dynamite and outcast quality of Edward Scissorhands.
What I liked about the lead character (Vanessa) is her lack of care for being an oddball and outcast. It wasn't a challenge for her and in fact, she learned to embrace her differences - which quickly proved to be her strengths.
The supporting oddball cast-off characters were pleasantly lovable and helped to create a delightful environment for the somewhat mystical tale.
Overall, I would give Dear Lemon Lima four out of five Popsicle sticks.
Here's the trailer if you'd like to see it. I don't think it's the best "tease" of the film.
How can you embrace your inner outcast? How does seeing your "differences" as strengths instead of weakness do for you?
I'd love to hear your comments and discoveries.